Early this week we very sadly said goodbye to Daniel Haynes, AKA Diggler from our 2007 team that took on Chelsea. He is remembered with lots of laughs and very sadly missed.
Thursday, 16 May 2013
Progress at Chelsea 2013
At Lump we have been talking a lot about the 2013 RHS Chelsea Flower Show. And as you may already know we have been lucky enough to have a few pieces featured in the garden design this year, you can read about them here. But today I want to share with you some progress photos of the build that have been kindly sent to us by Phil Johnson. And I’m sure you will agree the shear scale of this years Trailfinders Australian Garden Presented by Flemings is absolutely and most positively mind blowing.
Early this week we very sadly said goodbye to Daniel Haynes, AKA Diggler from our 2007 team that took on Chelsea. He is remembered with lots of laughs and very sadly missed.
Early this week we very sadly said goodbye to Daniel Haynes, AKA Diggler from our 2007 team that took on Chelsea. He is remembered with lots of laughs and very sadly missed.
Thursday, 9 May 2013
Pick of the Prize at Toorak Sculpture Exhibition 2013
Last Friday four of us Lumps attended the opening of the Toorak Village Sculpture Exhibition. With only one, unsuspecting Lump none the wiser as to what was about to unfold. As you may know, last week Chris and I entered two sculptures into the exhibition, the Clasp and Social Collider Theory. We love this exhibition because it gets sculpture out onto the street, literally.
But to cut a long story short, we were lucky enough to take home the big prize for the Clasp. And if you were reading the Lump blog last week, that makes Chris and I one for one (not that this is a competition or anything!). But on a serious note, it is most important to say at this point that although designed by myself the Clasp is a team effort. All of us at Lump had a part to play in getting the Clasp to the exhibition. Judged by graphic designer, painter and Archibald Prize finalist Carlo Pagoda, the Clasp stood out to him from the 92 other sculptures displayed in the exhibition and so awarded the sculpture The City of Stonnington and Bank of Melbourne 2013 Award.
There are many that contribute to the Toorak Sculpture Exhibition and I’m not talking just about the other artists. To name just a few, the Director Tony Fialides, Tracey Cammock from The Toorak Village Traders Association as well as the Toorak Traders themselves, curator of the Clement Meadmore Gallery at the Australian Academy of Design Malcolm Thompson and an entire committee of sponsors and volunteers that bring the Exhibition to the street for all of us to enjoy.
The Toorak Village Sculpture Exhibition is open for all until the 16th of June.
But to cut a long story short, we were lucky enough to take home the big prize for the Clasp. And if you were reading the Lump blog last week, that makes Chris and I one for one (not that this is a competition or anything!). But on a serious note, it is most important to say at this point that although designed by myself the Clasp is a team effort. All of us at Lump had a part to play in getting the Clasp to the exhibition. Judged by graphic designer, painter and Archibald Prize finalist Carlo Pagoda, the Clasp stood out to him from the 92 other sculptures displayed in the exhibition and so awarded the sculpture The City of Stonnington and Bank of Melbourne 2013 Award.
There are many that contribute to the Toorak Sculpture Exhibition and I’m not talking just about the other artists. To name just a few, the Director Tony Fialides, Tracey Cammock from The Toorak Village Traders Association as well as the Toorak Traders themselves, curator of the Clement Meadmore Gallery at the Australian Academy of Design Malcolm Thompson and an entire committee of sponsors and volunteers that bring the Exhibition to the street for all of us to enjoy.
The Toorak Village Sculpture Exhibition is open for all until the 16th of June.
Thursday, 2 May 2013
Toorak Village Sculpture Exhibition 2013
This month you can see two sculptures by Lump Sculpture Studio displayed in the Toorak Village Sculpture Exhibition. Each year a number of contemporary sculptures are selected and displayed in Toorak Village along the footpaths and in some of the shop windows.
Chris and I are particularly fond of this exhibition because it gets art that would otherwise be in a more formal setting out onto the streets to be seen by everyone, especially those that would not usually go out of their way to see art in a more formal setting. Don’t get me wrong, I realize we are spoilt with loads of art around the streets of Melbourne, but there is absolutely nothing wrong with a little more.
This year, Chris and I went head to head. We submitted two sculptures, totally different in style, one designed by Chris and one designed by myself. One based around practical scientific and social theory and the other on introspective relationships to objects. Although to begin with both sculptures were received as designed by (ahem) Chris. But I’m OK with this, no really I am since we have worked closely together for a long time and I guess you could say that this was bound to happen at some stage. But that is one to Chris, not that this is a competition or anything!
Chris designed a sculpture called Social Collider Theory. Using interlinked aluminum rings positioned tall on a plinth. The piece stands around 2.4 meters and is finished in Bright Orange. The thought process for this sculpture began while taking an interest in the Large Hadron Collider, the worlds largest and highest energy particle accelerator. In ultimately very basic terms The Large Hadron Collider was originally designed to collide two opposing particle beams to assist in answering questions concerning interactions and forces among elementary objects, deep structure of space and time and the interrelation between quantum mechanics and general relativity.
Social Collider Theory is a sculptural representation of our fast paced sphere of social connections and paths. Today our capacity for social connection and interaction is broadening, speeding up and shrinking the distance between our own circle and that of others. People move in their own busy circles and at times will collide with others when circles cross paths. Our paths collide; we connect, build new circles and broaden the momentum.
The second sculpture entered into the exhibition designed by myself, Timothea, and is called the Clasp. Taking inspiration from shapes found in jewellery. Made from corten steel with a natural rusted finish the sculpture stands 2.4 meters tall on a base finished with Lumps Faux Bluestone effect.
Very far from looking at the larger tasks of the universe, the Clasp is a sculpture that is personally introspective and representative of family and objects. Objects that are tied to the family circle and remembrance of family members that have past. In this instance the Clasp is an enlarged symbol of the delicate and intricate clasps that could be found on jewellery owned by my grandmother.
The Clasp is a representation of a precious object, a gift, a bequest or a treasure. Like the function of a well-made clasp the sculpture is robust in appearance. But also signifies the delicate nature of a clasp that may connect the most fragile of chains, hold your hair in place or pin a treasure to your lapel.
So there you have two very different sculptures in design, theory and in form and although originally accepted as from the one source, I think this is great tribute to our very well united team that is Lump.
You can see the sculptures by Lump and loads more from the 1st of May to the 16th of June in Toorak Village.
The images below include some lovely creative shots by Dale
Social Collider Theory
The Clasp
Chris and I are particularly fond of this exhibition because it gets art that would otherwise be in a more formal setting out onto the streets to be seen by everyone, especially those that would not usually go out of their way to see art in a more formal setting. Don’t get me wrong, I realize we are spoilt with loads of art around the streets of Melbourne, but there is absolutely nothing wrong with a little more.
This year, Chris and I went head to head. We submitted two sculptures, totally different in style, one designed by Chris and one designed by myself. One based around practical scientific and social theory and the other on introspective relationships to objects. Although to begin with both sculptures were received as designed by (ahem) Chris. But I’m OK with this, no really I am since we have worked closely together for a long time and I guess you could say that this was bound to happen at some stage. But that is one to Chris, not that this is a competition or anything!
Chris designed a sculpture called Social Collider Theory. Using interlinked aluminum rings positioned tall on a plinth. The piece stands around 2.4 meters and is finished in Bright Orange. The thought process for this sculpture began while taking an interest in the Large Hadron Collider, the worlds largest and highest energy particle accelerator. In ultimately very basic terms The Large Hadron Collider was originally designed to collide two opposing particle beams to assist in answering questions concerning interactions and forces among elementary objects, deep structure of space and time and the interrelation between quantum mechanics and general relativity.
Social Collider Theory is a sculptural representation of our fast paced sphere of social connections and paths. Today our capacity for social connection and interaction is broadening, speeding up and shrinking the distance between our own circle and that of others. People move in their own busy circles and at times will collide with others when circles cross paths. Our paths collide; we connect, build new circles and broaden the momentum.
The second sculpture entered into the exhibition designed by myself, Timothea, and is called the Clasp. Taking inspiration from shapes found in jewellery. Made from corten steel with a natural rusted finish the sculpture stands 2.4 meters tall on a base finished with Lumps Faux Bluestone effect.
Very far from looking at the larger tasks of the universe, the Clasp is a sculpture that is personally introspective and representative of family and objects. Objects that are tied to the family circle and remembrance of family members that have past. In this instance the Clasp is an enlarged symbol of the delicate and intricate clasps that could be found on jewellery owned by my grandmother.
The Clasp is a representation of a precious object, a gift, a bequest or a treasure. Like the function of a well-made clasp the sculpture is robust in appearance. But also signifies the delicate nature of a clasp that may connect the most fragile of chains, hold your hair in place or pin a treasure to your lapel.
So there you have two very different sculptures in design, theory and in form and although originally accepted as from the one source, I think this is great tribute to our very well united team that is Lump.
You can see the sculptures by Lump and loads more from the 1st of May to the 16th of June in Toorak Village.
The images below include some lovely creative shots by Dale
Social Collider Theory
The Clasp
Thursday, 25 April 2013
Legacy Place
Today our weekly Lump blog post falls on ANZAC Day. So I thought it only natural to post about Legacy Place in Morwell. A seven-year urban art project dedicated to creating a memorial for Lieutenant General Sir Stanley Savige. Sir Stanley Savige was a highly decorated soldier of the Australian Army and the original founder of Legacy Australia. The dedicated memorial is in Morwell, the hometown of Sir Stanley Savige and is just moments away from his fathers butchers shop where he was born in 1890.
The memorial project was completed in 2 stages and at Lump we were privileged to contribute to stage 2 of the project. Managed by representatives from Latrobe Valley Legacy, Morwell, Moe and Traralgon RSL Sub-Branches, Morwell Historical Society and Advance Morwell and with funding from members of the public, Latrobe City Council, RSL Sub-Branches, the Dept of Veterans’ Affairs and Advance Morwell stage one saw the unveiling of a bronze bust of Sir Stanley Savige made by Sculptor, Glen Davies. The bust stands to mark Sir Stanley Savige’s role as the founder of Legacy. Stage 2 saw the installation of a large decorative sign officially naming Legacy Place along with a bronze plaque describing Sir Stanley Savige and his achievements.
At Lump we worked in conjunction with Melissa Ellis from Latrobe city council and created the Legacy Place sign for Stage 2. Made form 20mm thick steel with a natural rusted finish, the base of the sign was laser cut with a repetitive design using the Legacy Torch to create the pattern. Topping the sign is cast aluminum lettering spelling out Legacy Place and along side that, the bronze plaque dedicated to Sir Stanley Savige. The sign runs approximately six meters in length and stands about 1500mm tall and also is complete with a frosted polycarbonate backing material. With especially custom designed legs to hold the weight of the sign the piece was craned in as one whole unit and installed on site by the crew from Lump.
All of us at Lump are privileged to work on a lot of special projects, and this was definitely one of the special ones. Sir Stanley Savige is certainly an inspiration and is so proudly remembered and treasured by the people of his hometown and surrounding communities. And as well, a hero to Australia and all the families looked after by Legacy.
The memorial project was completed in 2 stages and at Lump we were privileged to contribute to stage 2 of the project. Managed by representatives from Latrobe Valley Legacy, Morwell, Moe and Traralgon RSL Sub-Branches, Morwell Historical Society and Advance Morwell and with funding from members of the public, Latrobe City Council, RSL Sub-Branches, the Dept of Veterans’ Affairs and Advance Morwell stage one saw the unveiling of a bronze bust of Sir Stanley Savige made by Sculptor, Glen Davies. The bust stands to mark Sir Stanley Savige’s role as the founder of Legacy. Stage 2 saw the installation of a large decorative sign officially naming Legacy Place along with a bronze plaque describing Sir Stanley Savige and his achievements.
At Lump we worked in conjunction with Melissa Ellis from Latrobe city council and created the Legacy Place sign for Stage 2. Made form 20mm thick steel with a natural rusted finish, the base of the sign was laser cut with a repetitive design using the Legacy Torch to create the pattern. Topping the sign is cast aluminum lettering spelling out Legacy Place and along side that, the bronze plaque dedicated to Sir Stanley Savige. The sign runs approximately six meters in length and stands about 1500mm tall and also is complete with a frosted polycarbonate backing material. With especially custom designed legs to hold the weight of the sign the piece was craned in as one whole unit and installed on site by the crew from Lump.
All of us at Lump are privileged to work on a lot of special projects, and this was definitely one of the special ones. Sir Stanley Savige is certainly an inspiration and is so proudly remembered and treasured by the people of his hometown and surrounding communities. And as well, a hero to Australia and all the families looked after by Legacy.
Thursday, 18 April 2013
Remembering Altona Memorial Park
Quite some time ago we were commissioned by Florence Jaquet to create a sculpture for Altona Memorial Park. Florence, being not only a Landscape Architect but also a botanical artist designed the memorial garden with a seasonal theme including paving featuring decorative botanical etchings designed by Florence herself.
The Lump Leaf Skeleton Sculpture was selected by Florence as a main feature in the project and incorporated perfectly with her seasonal theme. Although at Lump we customized and supersized the Leaf to 5m in scale.
Being in a public place we had to pass rigorous standards imposed by the structural engineer. The concrete sub structure at the time was one of the largest we had made and entailed lots and lots of digging and the removal of So. Much. Soil. This was ceremonial in a kind of way, considering the surroundings. Although, after the last wheelbarrow of soil was removed and tucked away behind the crematorium, the guys stopped to ask what the fine dust was covering their heads and shoulders. But that is another story all together.
The installation of the sculpture involved the use of a Bubble crane, Bubble cranes are great for heavy lifting and long reaches as opposed to a Franna crane for example, that is used for heavy lifting and “walking”. Being 5m in height and made from 6mm corten steel we needed a heavy lift off the tray.
Sometimes I ask myself about the significance of the leaf skeleton in the last stages of decomposition standing as a 5m sculpture displayed in a cemetery. But I always end up with the same light feeling of comfort. The leaf skeleton sculpture is this situation is a simple representation of natural organic beauty and fragility. The sculpture is sympathetic and unimposing to its surroundings and displays an undeniable significance of returning to the earth.
The seasonal garden is extended further through self-sustaining fountains and drought tolerant ornamental planting. And with a beautiful Lump Leaf Skeleton sculpture standing proud amongst the other features of the garden it is a beautiful place to remember, sympathize, reflect and feel comfort.
Images by Little Red Photography
The Lump Leaf Skeleton Sculpture was selected by Florence as a main feature in the project and incorporated perfectly with her seasonal theme. Although at Lump we customized and supersized the Leaf to 5m in scale.
Being in a public place we had to pass rigorous standards imposed by the structural engineer. The concrete sub structure at the time was one of the largest we had made and entailed lots and lots of digging and the removal of So. Much. Soil. This was ceremonial in a kind of way, considering the surroundings. Although, after the last wheelbarrow of soil was removed and tucked away behind the crematorium, the guys stopped to ask what the fine dust was covering their heads and shoulders. But that is another story all together.
The installation of the sculpture involved the use of a Bubble crane, Bubble cranes are great for heavy lifting and long reaches as opposed to a Franna crane for example, that is used for heavy lifting and “walking”. Being 5m in height and made from 6mm corten steel we needed a heavy lift off the tray.
Sometimes I ask myself about the significance of the leaf skeleton in the last stages of decomposition standing as a 5m sculpture displayed in a cemetery. But I always end up with the same light feeling of comfort. The leaf skeleton sculpture is this situation is a simple representation of natural organic beauty and fragility. The sculpture is sympathetic and unimposing to its surroundings and displays an undeniable significance of returning to the earth.
The seasonal garden is extended further through self-sustaining fountains and drought tolerant ornamental planting. And with a beautiful Lump Leaf Skeleton sculpture standing proud amongst the other features of the garden it is a beautiful place to remember, sympathize, reflect and feel comfort.
Images by Little Red Photography
Thursday, 11 April 2013
Lump Residential
At Lump we recently completed a residential project that is just too smart and gorgeous not to talk about. Designed by Renata Fairhall garden designs, the uber contemporary straight lines of this urban courtyard boast a bouquet of some of our favorite Lump pieces. As well as a brand new and never seen before Lump Light Feature design.
Hanging above the courtyard and offering privacy to the bedroom is the Lump Ink Blot Screen in black. When lit at night by the light from the bedroom it serves not only as added privacy, but also as an extension of the decorative and popular Lump Light Feature installations. Contrasting to the darkness of the Ink Blot Screen and the deep colour of the backing wall is our ever-favorite Leaf Skeleton Sculpture in white. This is set towards the back, but because of the colouring is definitely not in the background. The laser cut designs inset on these two pieces are very similar and organic in design and offer a great point of difference to the straight lines of the architecture.
Delicately adding light and a decorative element to the BBQ area and in keeping with the straight lines is an original Lump Light Feature Panel. At Lump we have had a bamboo design for some time now. But, in drawing this particular design, I wanted something fuller with more depth. Not just the notion of bamboo as a plant but the notion of a full bamboo forest. This particular design is also highlighted by the plantings of Bamboo along the wall leading to the BBQ.
All three Lump pieces in this urban contemporary space are different. But all add function and a decorative sculptural aspect to an exceptionally smart outdoor area in this gorgeous home.
Thanks to Little Red Photography for the beautiful pics and to the lovely home owner who allowed us to take them.
Hanging above the courtyard and offering privacy to the bedroom is the Lump Ink Blot Screen in black. When lit at night by the light from the bedroom it serves not only as added privacy, but also as an extension of the decorative and popular Lump Light Feature installations. Contrasting to the darkness of the Ink Blot Screen and the deep colour of the backing wall is our ever-favorite Leaf Skeleton Sculpture in white. This is set towards the back, but because of the colouring is definitely not in the background. The laser cut designs inset on these two pieces are very similar and organic in design and offer a great point of difference to the straight lines of the architecture.
Delicately adding light and a decorative element to the BBQ area and in keeping with the straight lines is an original Lump Light Feature Panel. At Lump we have had a bamboo design for some time now. But, in drawing this particular design, I wanted something fuller with more depth. Not just the notion of bamboo as a plant but the notion of a full bamboo forest. This particular design is also highlighted by the plantings of Bamboo along the wall leading to the BBQ.
All three Lump pieces in this urban contemporary space are different. But all add function and a decorative sculptural aspect to an exceptionally smart outdoor area in this gorgeous home.
Thanks to Little Red Photography for the beautiful pics and to the lovely home owner who allowed us to take them.
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